Sanchin dachi Ido Kihon
1) Kentsui - arm slightly higher to defend face
2) Shuto uchi - hand straight, not bend back like Sepai
3) Checkpoint kakete hand position (hand vertical)
4) Urai uchi - Arms to side then strike central
5) Tzuki age chudan - arm horizontal then raise by one fist thickness
6) Shotei uke - More like turning pages- elbows inside
7) Uchi uke - keep shoulders level
8) Finish each technique with weight down - hips "joined"
Jitte Checkpoints
1) Shikodachi turning on centre of foot
2) Lower and longer stance when moving R Foot across - will assist in embusen finishing on start point.
Bassai Dai Checkpoints
1) Kosa dachi left foot 45 degrees (behind right)
2) Open hand LH assase uke - slip forward to trigger motion
3) Turning 180 degrees to LH yoko uke. L arm yoko uke - elbow finishes pointing inward (to belt knot)
4) RH yoko uke (kihon dachi) as 3
5) Smaller foot movement (bring R foot in only halfway) remember heel turn on L foot
6) Keep R arm inside line of body when catching kick, do not bring back behind line of body when following through. Finish soto hachiji dachi
7) Nekoashi dachi soto uke - move r arm and right leg before twisting L foot - promotes hips ensure R arm does not flex
8) Soto hachiji dachi kensui -> zenkutsu dachi jodan tzuki LA: Two moves R foot, 1 move L foot
9) Returning to sotohachiji dachi: Bend R Leg to spring up - no footwork for this move
10) Move across to RL Nekoashi dachi Gedan shuto: Ensure R foot does not move too far left
11) Arm Break: RH more away from body - on opponent's elbow
12) Turning Kihon Dachi -> Nekoashi Dachi chudan shuto: Bend RL for weight transfer. Use hip rotation - keep upper body in same vertical line. Heel turn still important. RH is performing empi uchi to rearward opponent. Hips basically perform two actions
13) Zenkutsu dachi double hikite (hands with backs uppermost) then shuffle to shiko dachi chudan tzuki
14) Heisuko dachi -> Shiko dachi kage tzuki. Use last part of footwork to promote hips, not first part. Kihon/Zenkutsu as midpoint before shiko dachi
15) Hand over hand: both feet shift within stance in order to promote hips.
16) Yama tzuki - get fist positioning more accurate
17) Gedan barai/flip down is two techniques. Block of kick then strike to groin.